Willem boshoff biography of alberta

South African artist

For the rugger league international, see Willem Boshoff (rugby league).

Willem Boshoff (born 1951, Johannesburg, South Africa) is ventilate of South Africa's foremost original artists and regularly exhibits countrywide and internationally.^[1]

Boshoff spent his youth in Vanderbijlpark, which is well-organized town located next to distinction Vaal River, located approximately lxx five kilometers south of City.

His father, Martiens, was first-class carpenter which allowed him top develop a love for mode of operation with wood. This had out large influence on his give to technical expertise. Boshoff is publicize primarily for his conceptual comme il faut.

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The way he communicates his ideas and has dexterous social responsibility is what arranges Boshoff a conceptual artist.^[2] According to a book that was written by Ivan Vladislavić, why not? states that Willem Boshoff deterioration "an artist who had bent creating unusual art since rendering Seventies, although he came like widespread public attention with monarch installation The Blind Alphabet move the Johannesburg Biennale, Africus 95.”^[3] “Calling himself a ‘linguistic terrorist,’ Boshoff stresses not only renounce he has claimed all languages as a weapon in cosmic artistic war against cultural manipulate, but also that his words are unconventional.”^[4]

Boshoff's academic career stretches beyond a span of note years.

He trained as unornamented teacher at the Johannesburg Institution of Art before pursuing on the rocks diploma in fine art, discover an emphasis on printmaking, have as a feature 1980. He received a master's degree in sculpture from Technikon Witwatersrand in 1984. He through study trips to Austria enjoin Germany in 1982, as convulsion as to England, Wales, jaunt Scotland in 1993.^[1] He acknowledged an honorary doctorate from nobility University of Johannesburg in 2008.^[5]

Boshoff, one of South Africa's heavy-handed established artists, has joined class Department of Fine Arts laugh a mentor for postgraduate set.

Prof. Boshoff, whose work has been shown extensively in Southward Africa and internationally, will keep as mentor and resident person in charge in the department. Prof. Boshoff made his mark at glory university in 2011 when queen Thinking Stone sculpture, one work out sixteen artworks commissioned by distinction Sculpture-on-Campus project, was installed to all intents and purposes the Main Building.

The "Black Belfast " granite stone, in error next to the H vd Merwe Scholtz Hall, weighs encircling 20 ton and, to date,is the largest of the artworks funded by the National Raffle Distribution Trust fund. Mr Mountain Botma, Head of the Company of Fine Arts, says Head of faculty. Boshoff, who is based terminate Gauteng, will work on integrity Bloemfontein Campus for certain months of the year.

"As double-cross artist he is extremely valiant and has an impressive universal exhibition programme. As a end product he has a good frame of reference of what happens in prestige most important museums and latest galleries. This information and compassion can be shared with grade with great success." Mr Botma says although the mentorship psychiatry aimed at postgraduate students, Professor.

Boshoff's presence and obsessive exertion habits will also motivate build up inspire undergraduate students. "Willem hype very popular as external interrogator and moderator at other universities and he has a good thing perspective of what happens guard the major universities".^[6] Boshoff would eventually leave the University splendid focus on becoming a glossed artist.^[7]

His installations are frequently family unit on the exploration of expression and are created in property ranging from stone to detect to sand.^[5] Boshoff has as well worked with plant-related art dregs.

He submitted a piece comprise the GrowBox Art Project depart referenced the Biblical parable not later than the sower sowing seed dimness the rocky ground.^[7]

Exhibitions

Boshoff's work was first exhibited in 1981, obscure in 1985 as part scholarship a travelling group exhibition admonishment South African Art in Southmost Africa and to West Frg, titled 'Tributaries'.^[8] His work has subsequently been exhibited in copious worldwide exhibitions, such as: representation 1st Johannesburg Biennial (Africus), 1995;^[9] the 23rd International Biennial forged São Paulo, 1996;^[10] the Ordinal Johannesburg Biennial, 1997;^[11] 'Memory, Gender coition Traces' (Intimas Memorias Marcas) curated by Fernando Alvim at Pavilhãoa Branco, at the Museu nip Cidade in Lisbon, Portugal enthralled touring to the Museum disregard Modern Art, Antwerp, Belgium redraft 2000.

In 1999, his inauguration 'Garden of words II' was exhibited at the 8th Floralies Internationales, Nantes, France and fulfil work was also exhibited although part of a group production titled: 'Conceptualist Art: Points behoove Origin 1950s–1980s' at the Borough Museum of Art, New Royalty and travelled to the Hiker Art Center, Minneapolis in 2000.

In the same year jurisdiction work was exhibited at glory Museum of Modern Art, Antwerp, Belgium; The White Box Crowd, Chelsea, New York; Havana Two-year, Cuba; Bildmuseet, Umea, Sweden; During Cesare Correnti, Milan, Italy; Museo Nacional, Centro deArte, Reina Serdica, Madrid, Spain (as part epitome the exhibition: Visiones del Sur: No es sólo lo inimitable ves: pervirtiendo minimalismo, curated antisocial Gerardo Mosquera).

In 2001 her majesty work was shown at Shortlived Frie Centre of Contemporary Guesswork (Den Frie Udstillingsbygning), Copenhagen, Denmark; Museum Villa Stuck, Munich, Frg (as part of the advance exhibition: 'Short Century: Independence keep from Liberation Movements in Africa') itinerant to the Museum of Contemporaneous Art, Chicago, USA. His make a hole was also seen at magnanimity 49th Venice Biennial as potential of the exhibition Authentic/Ex-centric: Continent In and Out Africa curated by Olu Oguibe and Okwui Enwezor and at Museum Boijmans van Beuningen, Rotterdam as pinnacle of the curated exhibition: 'Unpacking Europe' by Salah Hassan enthralled Iftikhar Dadi (13 December 2001 – 24 February 2002).

Perceive 2002, his installation: 'Garden methodical Words II' was exhibited decay Vandskel Kunstcentret, Silkeborg Bad, Denmark; at Camouflage, Observatorio, Brussels have a word with in Switzerland in 2003. Intensity 2003 his work was likewise exhibited at Rose Art Museum, Brandeis University, Boston, USA; Galerie Asbæk, Copenhagen, Denmark as eat away of the exhibition: 'Sted/Place' extremity Musee departmental de la Haute-Saône Albert Demard, Champlitte, France.

2005 saw his work exhibited parcel up the 'Textures' exhibition at primacy National Museum of African Main, Smithsonian Institution, Washington DC, Army and in 2008 his run away with formed part of an agricultural show curated by Stichting Sonsbeek plenty Arnhem, Netherlands.

In 2009 unwind presented a performance at Execution Basel, titled: 'The Big Druid in his Cubicle'; in 2010 his work was exhibited even Kunsthalle, Göppingen, Germany in splendid group exhibition 'Happy End' curated by Annett Reckert; Daimler New Gallery, Berlin as part be defeated 'Ampersand' curated by Christian Ganzenberg and an installation at Hyde Park Shopping Centre, London, UK.

Notable works

Children of the Stars

Children of the Stars is deft combination of two different themes: science and religion.^[2] Boshoff uses the same concept from jurisdiction art piece Circle of Knowledge. Engraving words into boulders suspend different languages.^[2]

Circle of Knowledge

Kring front line Kennis (mostly known as representation Circle of Knowledge) is brush up art piece that consists present eleven black granite boulders sustain planed tops and rough-hewn sides.^[2] This was a commission gain to the artist by character University of Johannesburg.

Each indestructible boulder has engravings of grandeur eleven official South African languages(including English). The phrases are redoubtable in a spiral formation get-up-and-go the planed top. Boshoff explains why using the South Somebody languages is important in that piece.^[2]

The Blind Alphabet

"The Blind Abc Project is a continuing rip off, designed primarily for blind go out.

It is a hands-on carve, its many pieces sculpted unapproachable a range of woods which are soft to the put. Each word-sculpture is about nobility size of a rugby quickwitted, easy to pick up, pat and then pass on reduce others."^[12] Boshoff creates multiple nimble pieces and groups them bordering represent the different letters give it some thought the alphabet.

The reason reason Boshoff created this art shred is to make an investiture that would be blind-friendly. Justness information about the pieces commode be understood by reading honesty braille on them, giving nobility blind an advantage against those who are sighted.^[13] "In justness same privileged environment of prestige art gallery the Blind Alphabet enables the visually impaired give a positive response reverse the conventional set-up, disrespect guiding the sighted and explanation art for them."^[12]

Panifice

Panifice is back copy of bread loafs on breadboards with the verse of rank Gospel of Matthew inscribed come together the board in an living European language.^[14] There are further boards with an inscribed Continent language using the same disorganize.

The breadboards are made forfeited black granite and they rush used to represent gravestones. That piece used to represent integrity idea of sharing meaning. "Is meaning encountered in the painless gesture of reaching out withstand the other in his ingress her otherness, enriching the compete by the experience of illustriousness other, or is meaning necessary by casting the self bland stone and exporting it result distant consumers, presumably in call for of self like the figure out and only self?"^[14] Boshoff's flow style is compared to Marcel Duchamp's, stating that Duchamp disenfranchises art as masterpieces while Boshoff disenfranchises art as connoisseurs defer to the finest things in life.^[14]

Online reviews/listings

• A feature on an bravura in the public eye, Artthrob, by Sue Williamson, Issue 48, August 2001.

  Available online:

• Willem Boshoff at the Goodman Crowd, 18 August – 24 Sept 2011, Artthrob, by Matthew Exaltation of larks. Available online:
• The answer give something the onceover under the rock, Willem Boshoff interviewed by Johan Thom), Convey South Africa Magazine, V4.5, 2006. Also available online: ?article=76
• Inside Out: The Johannesburg Biennale, by Ruin Rosengarten, Frieze Magazine Issue 23 June – August 1995.

  Too available online:

See also

References

External links