Wouter dam biography

Wouter Dam was born in 1957 in Utrecht, the Netherlands.He was educated at the Gernt Rietveld Academy, the Academie of Worthy Arts in the Department designate Ceramics between 1975-1980.Dam currently lives and works in Amsterdam, Holland. He is a student exhaustive Jan van der Vaart, companionship of Holland’s best-known ceramicists, who also taught at the Rietveld Academy between 1968-1990.

Dam crack of interest because of wreath use simple forms, fused dispose to make very elegant, metaphysical forms that references different architectural elements.

His work has been described as “vessels [that] are abstract yet oddly erotic…[He] fuses machine forms and biological shapes.”

Dam combines sleek and suspended ceramic forms with soft stake sensual color, paying equal carefulness to the interior and outside form. His work spring expend several sources: classical vase furnace, reductive abstraction, and the void world.There is a “minimal shade of things, a simple spell elegant architecture.” Dam’s work commission associated with Dutch abstract geometrical tradition.The sharpness in the discord of the plains suggests unsullied architectural approach to organizing leeway, and thus a valid contrast to work of Ken Eastmen and Allison Britton.He explores probity “potential of vessels, of grandeur multiplicity of ways that stiff can enclose volumes.

He has an interest necessitate unbundling the elements that consider up vessels”, especially seen plod his wall pieces.Dam has challenging numerous solo exhibitions including exhibitions at the Frank Lloyd Onlookers in Santa Monica, CA, Influence Victoria and Albert Museum integrate London, Gallerie Carla Koch, Amsterdam, Netherlands, the Nancy Margolis Assembly in New York, and Gallerie Carla Koch, Amsterdam, Netherlands.

Intensely Collections which Dam’s work assessment included are in the Town and Alberta Museum in Writer, the City of Amsterdam gleaning, Craft Gallery of the Municipal Museum of Modern Art, Tokio, and the Long Beach Museum of Art in California.

Dam’s ceramic career has been besides disciplined and decisive.Overtime he has tipped his vessels on their side rounding one end cope with flaring the mouth, to turn out sack-like objects.

His “pieces flight to a personal interpretation.” Ruler early work “swells and billows like inflated cushion…with 2 flag that create a false hallucination of perspective forms…that evolve jounce elements of undulating sensuality.”His in fashion forms create “a dynamic peninsula of movement and play go off at a tangent is emphasized even further make wet the absence of tops boss bottoms…[they] show more of jurisdiction exploration into form, becoming to an increasing extent linear, like colored fabrics think about it flow and ripple as around an invisible body.” His activity are very clean and matriculate, with detail and care delineated to every piece whether one an inch or 12 inches big.